Android Brent Spiner

Believe it or not, before Star Trek came along in 2009, there was an entirely different series of movies released under the Star Trek franchise. I know, I'd forgotten all about them, too. The last of these movies was 2002's Star Trek: Nemesis, a tired, confused affair that hastened the end of the original Trek franchise (until the cancellation of Star Trek: Enterprise killed it dead three years later). To be fair, Nemesis wasn't the outright worst offering in Star Trek history, and one of its redeeming qualities come in the form of its soundtrack.

The Gold Standard

Longtime Star Trek composer Jerry Goldsmith is behind the music of Nemesis, so at least the soundtrack knew what it was doing, even if the movie didn't. Being as familiar as he was with Star Trek (having composed the music for four previous Trek movies), Goldsmith is fully aware of all the cues and motifs that fans have come to consciously and subconsciously associate with everything from the characters to the various incarnations of the USS Enterprise.

The Last Adventure of the Next Generation

To that effect, "Repairs" features the same four-note theme heard in Goldsmith's other scores to his previous Star Trek films, going hand-in-hand with screenwriter John Logan including homages to all the Trek TV series in Nemesis itself. But even amidst that comfort, and hearing the Next Generation theme gently played as the magnificent Enterprise-E gracefully glides through the expanse of space, there's still a sense of unease, of menace and danger in the music.

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